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The Craftsman's Handbook:

The Craftsman's Handbook: "Il Libro dell' Arte" UK

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This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft.
Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum — which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity.
Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age.
"Recommended to the student of art." — Craft Horizons.
"Obviously of great merit." — Art Material Trade News.
"Delightful flavor." — New York Herald Tribune.
Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.

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craftsmans, handbook, libro
Commedia Dell'Arte: An Actor's Handbook

Commedia Dell'Arte: An Actor's Handbook UK

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Modalità semplici per il download gratuito o la lettura gratuita online Commedia Dell'Arte: An Actor's Handbook libro, There has been an enormous revival of interest in Commedia dell'arte. And it remians a central part of many drama school courses. In Commedia dell'arte in the Twentieth Century John Rublin first examines the orgins of this vital theatrical form and charts its recent revival through the work of companies like Tag, Theatre de Complicite and the influential methods of Jacques Lecoq. The second part of the book provides a unique practical guide for would-be practitioners: demonstrating how to approach the roles of Zanni, Arlecchion, Brighella, Pantalone, Dottore, and the Lovers in terms of movement, mask-work and voice. As well as offering a range of lazzi or comic business, improvisation exercises, sample monologues,and dialogues. No other book so clearly outlines the specific culture of Commedia or provides such a practical guide to its techniques. This immensely timely and useful handbook will be an essential purchase for all actors, students, and teachers.

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commedia, dellarte, actors, handbook
Performance and Literature in the Commedia dell'Arte

Performance and Literature in the Commedia dell'Arte UK

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Modalità semplici per il download gratuito o la lettura gratuita online Performance and Literature in the Commedia dell'Arte libro, The actors of the commedia dell'arte (the sixteenth-century Italian professional theater) usually did not perform from scripted drama. They improvised their performances from a shared plot and thorough knowledge of individual character roles. Robert Henke analyzes commedia dell'arte texts to demonstrate how the spoken word and written literature were combined in performance. Henke examines primary sources including performance accounts, actors' contracts, letters and other documents.

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performance, literature, commedia, dellarte
Shakespeare and Commedia dell'Arte: Play by Play

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Shakespeare and Commedia dell’Arte examines the ongoing influence of commedia dell’arte on Shakespeare’s plays.

Exploring the influence of commedia dell’arte improvisation, sight gags, and wordplay on the development of Shakespeare’s plays, Artemis Preeshl blends historical research with extensive practical experience to demonstrate how these techniques might be applied when producing some of Shakespeare's best-known works today. Each chapter focuses on a specific play, from A Midsummer Night’s Dream to The Winter’s Tale, drawing out elements of commedia dell’arte style in the playscripts and in contemporary performance.

Including contemporary directors’ notes and interviews with actors and audience members alongside Elizabethan reviews, criticism, and commentary, Shakespeare and Commedia dell’Arte presents an invaluable resource for scholars and students of Renaissance theatre.

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shakespeare, commedia, dellarte
Exploring Modern Commedia dell'Arte: A Step-By-Step Guide to Mask Work and Physical Theatre Development in Commedia dell'Arte

Exploring Modern Commedia dell'Arte: A Step-By-Step Guide to Mask Work and Physical Theatre Development in Commedia dell'Arte UK

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Modalità semplici per il download gratuito o la lettura gratuita online Exploring Modern Commedia dell'Arte: A Step-By-Step Guide to Mask Work and Physical Theatre Development in Commedia dell'Arte libro, Designed for artists of all levels and experience, EXPLORING MODERN COMMEDIA provides a quick and informative guide for everything from form and technique to character and show development in a modern exploration of the ancient Italian masked theatre, commedia dell’arte. EXPLORING MODERN COMMEDIA: A STEP-BY-STEP GUIDE TO MASK WORK AND PHYSICAL THEATRE DEVELOPMENT IN COMMEDIA DELL'ARTE is a fun and informative hands-on resource for performers wishing to explore modern commedia, mask technique, and character creation, based on methods developed through the personal research and practice of the author. The book is intended for readers at all levels of experience with the craft, and can be used as an introduction to physical theatre and mask work, as well as scene devising and show creation. Landvatter outlines simple exercises that strengthen technique which build upon each other so the artist feels constantly challenged and can identify areas of growth and development in his or her own practice. Along with form and technique, Landvatter discusses commedia dell’arte and its relevancy in today’s theatre world, from audience involvement to subject matter. About the Author: ALi Landvatter is the founder of the acclaimed U.S.-based commedia dell’arte troupe, Tut’Zanni. She attended the Accademia dell’Arte, where she met her company members and worked with such instructors as Marcello Bartoli. Ali frequently acts as a guest artist and clinician at universities and elementary schools across the country in addition to a regular performance schedule including both national and international appearances.

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exploring, modern, commedia, dellarte, guide, physical, theatre, development, commedia, dellarte
The Comic Mask in the Commedia dell'Arte: Actor Training, Improvisation, and the Poetics of Survival

The Comic Mask in the Commedia dell'Arte: Actor Training, Improvisation, and the Poetics of Survival UK

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Winner, 2007 University & College Designers Association Design Award
 
Nobody says Shakespeare is dead, Antonio Fava tells us, but Commedia, they say, is dead. Why? Because clearly, he goes on, we have Shakespeare's texts, but nobody knows what to do with the improvisation that is the basis of the Commedia dell'Arte, despite massive documentation. This book by Fava, one of the few living master teachers of Commedia dell'Arte, is the first aesthetic and methodological study of the traditional Italian theater form--the first to describe, in a precise and practical way, what Commedia is and what it should be.

The mask--as object, symbol, character, theatrical practice, even spectacle itself--is the central metaphor around which Fava builds his discussion of structure, themes, characters, and methods. Drawing on twenty years of research conducted through his work as performer, director, mask maker, and scholar, he offers extensive practical, philosophical, and technical guidelines to performing the stock characters of Commedia, observing its structure, extracting its poetics, exploring its themes, and using the mask. A densely layered text combining historical fact, personal experience, philosophical speculation, and passionate opinion, and including copious illustrations--period drawings, prints, and color photographs of leather Commedia masks made by Fava himself--The Comic Mask in the Commedia dell'Arte is a rich work of singular insight into one of the world's most venerable forms of theater.

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comic, commedia, dellarte, actor, training, improvisation, poetics, survival
Commedia Dell'Arte: An Actor's Handbook by John Rudlin (1994-04-06)

Commedia Dell'Arte: An Actor's Handbook by John Rudlin (1994-04-06) UK

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commedia, dellarte, actors, handbook, rudlin
Cennino Cennini's Il Libro dell'Arte: A new English language translation and commentary and Italian transcription

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Modalità semplici per il download gratuito o la lettura gratuita online Cennino Cennini's Il Libro dell'Arte: A new English language translation and commentary and Italian transcription libro, This book, a new translation (with introduction and notes) of Il Libro dell'Arte, marks a great step forward in our understanding of Cennino Cennini - his life and times - and the materials and techniques employed by artists in fourteenth century Italy.

Over eighty years ago, D. V. Thompson presented his translation entitled The Craftsman's Handbook as a workshop manual aimed at readers who wished to produce a work of art by following Cennino's instructions.

The present volume not only establishes more precisely what Cennino actually wrote, by correcting more than 400 errors in Thompson's text, but also includes the transcribed Italian text and very extensive notes on both the language and the technical descriptions. In addition, the author's most informative introduction places Cennino in context and accounts for the genesis of the libro dell'arte by reference to the society in which it was produced.

This volume is a landmark text for students and professionals in the field of art history.

Contents: Foreword; Acknowledgements; Introduction; Why a new translation?; Who was Cennino Cennini?; What is the Libro dell'arte?; The transmission and translation of the Libro dell'arte; Notes on the transcription; Notes on the translation; Il libro dell'arte: English translation and commentary and Italian transcription; Notes on substantive differences from Thompson's translation;
Appendix; Bibliography.

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cennino, cenninis, libro, dellarte, english, language, translation, commentary, italian, transcription
The Commedia Dell'arte: A Study in Italian Popular Comedy (Classic Reprint)

The Commedia Dell'arte: A Study in Italian Popular Comedy (Classic Reprint) UK

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Modalità semplici per il download gratuito o la lettura gratuita online The Commedia Dell'arte: A Study in Italian Popular Comedy (Classic Reprint) libro, Excerpt from The Commedia Dell'arte: A Study in Italian Popular Comedy

A small Pennsylvania town turned itself out one breathless summer day not long ago to watch an entertainment given in a large airy barn by a family of wandering geniuses, not gypsies or minstrels, certainly not agents as the term is generally understood, but hard-headed Yankee originals with something Of their own to sell and apparently a novel way Of their own Of selling it. The something was a certain soap, guaranteed of the purest; the method of advertisement was to take it as the theme of a simple farce, a theme varied by all manner Of songs in its praises and allusions to its perfections, brought as by accident into the pauses Of a banal dialog.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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commedia, dellarte, study, italian, popular, comedy, classic, reprint
The Routledge Companion to Commedia dell'Arte

The Routledge Companion to Commedia dell'Arte UK

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From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr Punch.

The Routledge Companion to Commedia dell’Arte is a wide-ranging volume written by over 50 experts that traces the history, characteristics, and development of this fascinating yet elusive theatre form. In synthesising the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoni’s complicated and adversarial approaches to theatre; invites discussions on Commedia’s relevance to Shakespeare, and illuminates re-interpretations of Commedia in modern times.

The authors are drawn from actors, mask-makers, pedagogues, directors, trainers, and academics, all of whom add unique insights into this fundamental pillar of western theatre. Notable contributions include:

• Donato Sartori on the twentieth century Sartori mask

• Rob Henke on the Form and Freedom in Commedia Improvisation

• Anna Cottis on Carlo Boso

• Didi Hopkins on One Man, Two Guv’nors

• Kenneth Richards on acting companies

• Antonio Fava on Commedia dell’Arte

• Joan Schirle on Carlo Mazzone-Clementi and women in Commedia

• M. A. Katritzky on Commedia Iconography.

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